A Spell of Murder
Witch Cats of Cambridge Book 1
by Clea Simon
Genre: Cozy Mystery
“It’s Harriet’s fault. It’s always her fault, not that she’ll ever admit it.” So begins A Spell of Murder: A Witch Cats of Cambridge mystery, the first in a new cozy series that mixes feline fiction with a touch of the paranormal, and a little romance as well.
Becca, newly single and newly unemployed, wants to believe she has psychic powers. With nothing but time – and a desire for empowerment – she’s studying to become a witch. What she doesn’t know is that her three cats – Harriet, Laurel, and Clara – are the ones with the real power. And when Harriet – “a cream-colored longhair with more fur than commonsense” – conjures a pillow for her own comfort, Becca believes her spells are finally working. Could that be why Trent, the coven’s devilishly handsome leader, has been showing her special attention? Or why Suzanne, a longtime coven member, draws her aside to share a secret – a confidence that may lead to murder?
It was Harriet’s fault. It’s always her fault, not that she’ll ever admit it. That was Clara’s first thought as she tried to settle on the sofa, flicking her long, grey tail with annoyance. As a cat, Clara wouldn’t usually have any trouble getting comfortable. That’s one special skill that all felines share. But even as she tried to calm her restive tail, curling it neatly around her snowy front paws, Clara, a petite, if plump, calico, couldn’t stop fretting. Harriet was her oldest sister, a creamsicle-colored longhair with more fur than common sense. Still, despite the fluffy feline’s typical self-absorption, she and Clara and their middle sister, Laurel, had cohabited with a nice enough human for almost two years without any problems, until now. Until Harriet. Yes, Becca, their human, had begun to believe she had psychic powers. Becca, who at twenty-six usually had more sense, was training to be a witch, as if that were something one could learn from books. But to the calico cat who now fumed quietly on the sofa, the petite brunette had always seemed a harmless soul—good with a can opener. Warm. Generous with her lap. And then, last week, Harriet—who cared only for her own comfort—conjured up a pillow. “I was tired,” Harriet said, in that petulant mew that Clara knew so well, when asked why in the name of Bast she’d be so stupid. “Becca wasn’t even looking.” “You could have moved!” her younger sibling hissed back, the grey whorls on her sides heaving with annoyance. “And she was!” Harriet was taking up the sunny spot on the windowsill, as she always did that time of the morning, and Clara narrowed her mysterious green eyes to glare at her sister. Harriet was more than fluffy, she was immense, a pale orange marshmallow of a feline, whose furry bulk and predictable habits prevented her youngest sister from enjoying any of the solar bounty. Still, she probably shouldn’t have hissed. Harriet was Clara’s elder, if merely by a few minutes. As it was, the orange and white cat just shuffled a bit and turned her rounded back on her sister rather than responding. Clara didn’t know why she even bothered asking. She already knew the answer: Harriet didn’t move unless she had to, and on a warm spring day it was easier to conjure a cushion than make the leap from the sun-warmed sill to the sofa, where Clara now fumed. The sofa where, it turned out, Becca had been trying out a summoning spell. And so now, of course, their hapless human believed she had pulled that pillow out of the ether. Which was a problem because Becca belonged to a coven. Had for about three months, ever since she saw a flier in the laundromat advertising an opening for “Witches: New and In Training.” That was the kind of thing that happened here, in Cambridge, where the hippies never really went away. Since then, they’d met every week to drink a foul-smelling herbal concoction and try out various spells. None of which ever produced any magic, of course. None of the humans had the basic powers of a day-old kitten, and certainly nothing like Clara and her sisters shared as the descendants of an old and royal feline line. But now, Clara feared, Becca had become obsessed, spending every waking moment trying to reproduce that one spell, while Harriet, Laurel, and Clara looked on. “Don’t you dare…” Clara muttered in a soft mew as Laurel sashayed into the room, taking in her two sisters with one sweeping gaze. Laurel was the middle one, a troublemaker and as vain as can be. Not simply of her own glossy coat—the cream touched with brown, or, as she called it, café au lait—but of her powers. That she was plotting something, Clara was certain. As Laurel glanced from Harriet back to Clara again, her tail started lashing and her ears stuck out sideways like an owl’s. “Why not?” Laurel had a streak of Siamese in her. It made her chatty, as well as giving her neat dark chocolate booties. “It’ll be fun.” “It’ll bring more people!” Clara felt her fur start to rise. The idea of her middle sister meddling—and possibly adding more magic to the mix—made her frantic. “Don’t you get it? They’ll never let up.” The black, grey, and orange cat—the smallest of the three sisters—didn’t have to explain who “they” were. That night, Becca’s coven would be meeting again at their place, which, to the three felines, was bad enough. Strangers, six of them, would soon be sitting in all the good seats, with their odd smells and loud voices. What was worse was that Becca would think she had to feed them, as well as brew that horrible tea. And as the cats well knew, Becca had no money, not since she lost her job as a researcher for the local historical society. “Redundant,” her boss had told her. “What with the budget cutbacks and the advances in technology.” “That means they can get an intern to do a Google search.” Becca had sniffled into Clara’s parti-colored fur the day she’d gotten the news. Harriet might be the fluffiest and Laurel the sleekest, but Clara was the one Becca talked to. The one she had confided in months earlier when she found the book that had started her on this whole witchcraft obsession, a spark of excitement lighting up her face. She’d been researching land deeds, the scutwork of history, when she had stumbled on it, her eye caught by a familiar name—some old relative of hers who had been caught up in a witch trial back in the bad old days in Salem. Then, when she’d seen the flier by the coin machine at the Wash ‘N Dry, she’d been so exhilarated, she’d raced back to tell Clara, leaving her sheets in the drier. And now, without the distraction of her job, Becca had thrown herself into the study of magic and sorcery, spending her days in the library or on her computer, trying to track down the full story of that great-great whatever, and sharing her fears and, increasingly, her hopes with Clara. Maybe it was because Clara was a calico that Becca whispered into the black-tipped ears of her littlest cat. Calicos had a reputation for being more intelligent and curious than other felines. Plus, that uneven look—a gray patch over one eye and an orange one over the other—made her appear approachable. Inquisitive. Becca couldn’t know that her youngest cat was often teased for her markings. “Goofy,” her sister Laurel said in her distinctive yowl. “Clara the calico? Clara the clown!” Recently, Harriet had taken up calling her that too. Clara didn’t mind, as long as Becca kept confiding in her. The young woman didn’t really think her cats understood about her being laid off, but, in truth, they were all quite aware of the straitened circumstances. Not that Laurel and Harriet always sympathized. There was that one time three weeks ago that Becca tried cutting back on the cats’ food, getting the generic cans from the market instead of the tiny ones with the pretty labels. After wolfing down hers, Harriet had barfed all over the sofa. She didn’t have to. She was just making a point about what she considered an affront to her dignity. Tonight, when Becca took credit for conjuring that cushion, Clara didn’t know what her haughty sister would do. Interrupt, most likely. Jump onto the table and begin bathing, if she had to, to be the center of attention. If she tried anything further—like pulling more pillows out of the ether—or if Laurel got up to her own tricks, Clara would have to get involved, she vowed with a final flick of the tail. And that, she knew, just wouldn’t end well.
Clea Simon is the author of "A Spell of Murder," the first in her new "Witch Cats of Cambridge" series. She is also the author of "World Enough," a rock 'n' roll noir, as well as the Blackie and Care series (most recently "Cross My Path") chronicling the adventures of the pink-haired Care and the black feral cat who loves her. In addition to these darker books, she is also the author of the Dulcie Schwartz feline mysteries, the Pru Marlowe pet noir mysteries, and the Theda Krakow mysteries, as well as three nonfiction books, including The Feline Mystique: On the Mysterious Connection Between Women and Cats.
The recipient of multiple honors, including the Cat Writers Associations Presidents Award, she lives in Somerville, Massachusetts, with her husband, Jon Garelick, and their cat, Musetta.
Why do I write mysteries with cats in them?
Isn’t it obvious? Cats make the best characters! Although not all of my books feature cats, most do. In fact, all but one of my 25 mysteries features cats prominently. Sometimes, the cats are the narrators – like in my Blackie and Care series. Sometimes, they’re the sidekicks, like in my Pru Marlowe pet noirs. Sometimes, the cats talk – Pru and her tabby Wallis have long discussions. Sometimes, well, they’re just cats – like in my Theda Krakow mysteries (like Mew is for Murder), where my heroine loves her kitties and sets out to save some felines in distress, but they don’t talk to her – or she to them. And sometimes, like in my new “Witch Cats of Cambridge” series, the cats are the smart ones. Take Clara, for example. This little calico is the voice of reason in the new A Spell of Murder, looking out for her human Becca, even while her older littermaters, Harriet and Laurel, are, well, a little more traditionally feline in their self-absorption. (Don’t get me wrong, Laurel and Harriet both love Becca – and they come through in the end – but they’re really concerned with their snacks and who gets to sleep in the sunny spot on the windowsill.) Why do I write such a wide array of kitties? Because I see them this way, each with their own unique personality. In fact, I think they all deserve their own book, don’t you?
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