Malak, Desert Child by Paul Ogarra Book Tour and Giveaway!
Malak, Desert Child
The Boy Who Sailed to Spain Book 2
by Paul Ogarra
Genre: Magical Realism Fiction
The first time I saw her she melted the ice in my soul.
Malak is a tiny beautiful five-year-old girl child. She lives in a cave in dire poverty with her drunkard father and her Saharoui mother and sister. Her enemies are all the towns children who victimize her and her sister because of their race and condition. Her only friend is a single mother named Latifa, and Malak´s grandmother Jeeda Hazzah who dies of cancer.
But Malak is the champion of her family against a violent father and the children of the Zoco who she fights singlehandedly. This is a magical and often mystical story of a young girl and the people she stumbles upon, as she is rushed away by her uncertain destiny, to the land in which her mother was born, the Sahara Desert. The unravelling of Malak's story is also the unsnarling of the web of intrigue surrounding the North of Africa, and it´s peoples and history, and the reasons for many current dilemmas in this land of witchcraft and mystery.
The tale begins in earnest when a wandering ex-warrior happens on the child and is struck by her magnificent courage and beauty. After a significant episode with her drunken father and his cronies, having interceded on the family´s behalf, he flees with them on a stolen high-speed cruiser heading for Western Sahara and freedom. In the course of their errant journey, they are taken into threatening custody by the Algerian police. Malak´s personality and mystic nature make of her the flux in an adventure which begins as a race to return her to her maternal grandfather´s family. A flight of mercy will become a race against time as Malak and her friends take on the impossible. In this, they enlist the help of many tribespeople. Some tribes known to all and others lost in the wastes of the mysterious desert and the annals of history.The story comes to an emotional and pent up conclusion in the least expected possible fashion.
**read as a standalone**
As he ate, he noticed the beautiful facial features of the child and her long thick hair. Even though she was dressed in rags and dirty, her face smeared and her hands black, the child was striking. She glanced at the food, still attending to the baby, and even though she looked away, her eyes wandered back to the overladen dish. Then she’d put her chin out abruptly as an inward gesture, a self-correction, and look elsewhere. She’s starving poor little cow, Pete thought, but proud, amazing a five-year-old urchin with a gutful of pride. “What is her name?” He pointed at the child. “Malak” she replied. “Her mother works, so she and her sister are on the streets all day.” “So what’s the problem with school?” “No money.” She said something about him to the child, who turned and looked at Pete. Her teeth were white and perfect, and her smile entirely unexpected in a face whose total lack of expression must have been the child’s only weapon against the evil and negligence which was happening around her, and which she instinctively knew was so, so wrong. “Give her couscous.” “No, she will have what we leave.” So he went to the other room and found a plate and a fork. He stacked the big platter high with semolina and placed it before the child, who fell on it like a wolf cub, using her hands to devour it ravenously. He gave her bread and a Coke. “Malak!” he said loudly, and she looked up but continued eating. “Tell her to stop.” Latifa, his friend, spoke sharply to her and the girl stopped and looked at him. “She says she is sorry.” “She has nothing to be sorry for, just tell her she will make me happy if she uses the fork.” Latifa spoke to her, and the little girl listened attentively, humbly. Then she laughed, a peal of heartfelt mirth, looking at him, and Pete, caught unawares, grinned back in spite of himself. She ate the rest of the food with the implement, experiencing some difficulty. As she ate, she kept looking into his face and gently laughing.
Paul O´Garra was born in Gibraltar on the 8th May 1952. Paul and his three siblings were the children of schoolteachers and were reared with English discipline, immersed in romantic literature on the one hand, and a large local family of uncles, aunts, cousins and a doting grandmother, who was Spanish from Cadiz, on the other.
Childhood was spent roaming across the Up South, Rosia, and Europa point areas of Gibraltar engaging in childish games and adventures, reading extensively books such as Enid Blyton’ adventure series, ‘Famous Five,’ ‘Secret Seven,’ ‘Swallows and Amazons Forever,’ John Buchan and the ‘Gorbals Die-hards.’ Saturday mornings were a day for avoiding the displeased grimaces of monocled and overweight colonels, delving and searching through the shelves of the old Garrison library to discover new horizons, characters, and stories. The journey of discovery that had begun with Baba the Elephant eventually began to grow richer as the classics were devoured.
In 1967, he looked on as fellow students of Jewish persuasion prepare to leave for Tel Aviv to defend Israel. Shortly after, the arrival of General Moshe Dayan at the gates of Cairo, signaled to the world that Israel´s direst moment had been overcome. Paul, at the earliest time possible, set off in a steamer from Tangiers, sailing to Southampton. After a spell in London, he left the UK to discover his roots in Malta. He alternated callings as a tour guide of Morocco and recoverer of broken down rented cars in the desert, tour guide of south Spain and eventually running a flamenco club on the Costa del Sol, in the days when the Costa was still a new and exciting place to visit.
Eventually, he set off again to discover new places in the Middle, the Far East and the Philippines, and when Perestroika and Glasnost finally arrived at the hands of Mihail Gorbacheff and the Soviet Union was open, set off to discover the East there. He studied Russian at St Petersburg and spent time travelling to the Republic of Udmurtia, Kazan, Siberia and up an uncharted river to meet Tribes that still lived in the area. Later to Nizhny Novgorod and the South Volga, then to the Ukraine travelling from city to city, falling more and more in love with the great Russian writers and painters as he went. Seventeen years ago at the age of fifty, Paul contracted renal cancer. He was operated on successfully at the Bullfighters Hospital in Pamplona in North Spain. Metastasis was practically impossible the surgeons happily reported. Two years later the cancer metastasised to his lungs on which he was duly operated, and half of his lungs were removed. Later for reasons undefined he suffered strokes in both eyes and lost partial sight in one eye and total in the left which he duly recovered by swimming and praying. Seventeen years have gone by since the renal cancer was first discovered, and seven years since his last operation and everything is fine, remission seems to be total.
Paul’s still swims at least one or two kilometres per day all year round, travels, practises martial arts and fervently believes that the Lord leads him by the hand. After leaving the hospital he spent some time in Tangiers, hairless, gaunt and on crutches, but enjoying the warmth and affection of many new friends there. Then off to Prague to study filmmaking, made several shorts but finally decided that he would first write and then make movies when the time came.
Advice you would give new authors?
Ask yourself honestly if your work is good and exceptional. If the answer is no, don’t be dismayed, just read more great authors and learn. If it´s yes, don’t let anyone put you down, criticism is always healthy but a bit of praise is also great.
Describe your writing style.
Bizarre really, but in the same way that I have a slight Gibraltarian accent when I speak, when I write it comes through as well. So I would say that my style is Gibraltarian.
What are they currently reading?
If you mean what am I currently reading, Tolstoy short stories, Dr Zhivago by Pasternak, one in the morning and the other in the evening.
What is your writing process? For instance do you do an outline first? Do you do the chapters first? What are common traps for aspiring writers?
I have tried everything and the best thing is to start at the front and end at the back. One can of course write notes so as to remember ideas for further along. I suppose I do an outline, in that I think about it for days. The chapters just happen as the book progresses. I suppose I would just find it somewhat disconcerting if I had constructed a structure into which my story, which develops a life of its own, must fit into. I suppose I´d be a real dunce as a journalist. I think the worst trap is to expect a finished product at once and forget to revise, revise and revise.
Do you try more to be original or to deliver to readers what they want?
I write what I consider to be good literature.
If you could tell your younger writing self anything, what would it be?
Get on with it.
What’s the most difficult thing about writing characters from the opposite sex?
I don’t consider there to be a difference.
How long on average does it take you to write a book?
How long´s a piece of string, perhaps one year.
Do you believe in writer’s block?
Sort of, No, not really.
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